Richard Posner Galerie Blickensdorff


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		Richard Posner
		Geboren: 1948 in South Central Los Angeles, California USA

		Stilrichtungen - Zeitgenössische Kunst






		Biographie●Ausstellungen●Literatur●Arbeiten
Zum Künstler GWOTBOTS (Global War On Terror Robots), geschaffen von Richard Posner, einem in Amerika geborenen und in Berlin lebenden Handwerker, der in einem spärlich beleuchteten Hinterhof-Atelier tief gebeugt über einen Küchentisch voller Fundstücke und alter Dinge sitzt. Mit seiner Hände Arbeit fügt er sie, abrakadabra, zu Plastikspielvehikeln zusammen, Stück für Stück. Die GWOTBOTS zeigen Posners virtuose Fähigkeit, second-hand Spielzeug in erstklasssige Kunstwerke zu verwandeln. So Wie die Reiter in ‚Monty Python and The Holy Grail,’ ihre Kokosnushälften betätigen, benutzt Posner schwarzen Humor, um den Betrachter in ernste Späße zu verwickeln, ernsthaft. GWOTBOTS (Global War On Terror Robots) ist ein Anagram für die Herzen (verbittert) und die Köpfe (verbrettert) der Koalition-des-Willens-Okkupation im Irak. G lobale Krieg–dem–Terror-Roboter wählen gottesfürchtigen Spitzenmanager. W erkarbeiter-Aufstand fordert weltliche Kontrolle über Produktion von Plastikspielvehikeln O elfeld - Streik entzündet Machtkampf von Rebellen gegen Ungläubige um schwarzes Gold T ausende getötet und verletzt bei Sabotage von Plastikspielvehikel-Fließband B ruderkrieg Gottesfürchtiger gegen Prophetengläubige von Bankrott überrascht. O ffshore- Plastikspielvehikel-Fabrik an unbekannten Ort ausgelagert. T erroristen entführen Plastikspielvehikel-Kolonne und enthaupten Fahrer und Passagiere. S torch bringt einer Blondine auf dem Rücksitz ihres Plastikspielvehikels Sechslinge. Die Namensvetter der Global War On Terror Robots sind Dörfer und Städte in denen terroristische Aktivitäten, d.h. unvorhersehbare und unberechenbare Kämpfe stattfinden. Die hybriden Spielvehikel prallen in einem Niemandsland aufeinander, wo es keinen Frontverlauf und keine unschuldigen Zivilisten mehr gibt. Jedes Plastikspielvehikel ist eine Herausforderung für die gegenwärtige US Administration, die sich darauf versteift hat, waffenstrotzend in der Welt umherzustolzieren. Global War On Terror Robots stellen die Bedrohung durch die politischen Erpresser hinter dem Thron bloß. Ein Paradebeispiel ist Mr. Karl Rove, der dem US Präsidenten ins Ohr flüstert, dass die Leute eine Lüge glauben, wenn sie nur oft genug wiederholt wird. Und: Wenn du nicht für uns bist, bist du für den Feind. Aus der Sicht des GWOTBOT-Universums, macht diese alte Propaganda aus den Zeiten des Zweiten Weltkriegs und des Kalten Krieges, die aus den gesammelten Schriften von Joseph Goebbels, Stalin und dem letzten Zauberer der Smaragdenen Stadt stammt klar, in welchem Ausmaß das Bush Imperium einmal die Naturkatastrophen der dritten Welt ernten wird und wie es die Gewalttätigkeit Anno 2005 konfessioniert. Mit den Worten des Komikers Will Rogers sagt Posner: „Leute, ich habe die Sachen nicht erfunden. Alles, was ich weiß stammt aus der Zeitung.“ ? R.Byte/M.Frei 2005 Biographie
Born 1948 in South Central Los Angeles, California USA Studium 1976 California College of Arts and Crafts, M.F.A. Oakland, California, USA Auszeichnungen und Preise (Auswahl) 2004 Fulbright Fellow, Guest Artist, Architecture Program, Technical University Berlin 2003 Fulbright Fellow, Guest Artist, Institute for Art in Context, Univ. of the Arts, Berlin 2002, 1995 Jackson Pollock Lee Krasner Foundation Fellow, New York 2001, 1996 Artist-in-Residence, Blue Mountain Center, Blue Mountain Lake, New Yor k 2000 Artist-in-Residence, Karl-Hofer-Gesellschaft, Hochschule der Kuenst, Berlin Artist-in-Residence, Harzkristall Glass Factory, (former East) Germany 1999 Fulbright Fellow, Institut fuer Gruenplanung/Gartenarchitektur, Univ. Hannover 1979 Fulbright Fellow, Guest Artist, Konstfackskoland, Stockholm Sweden 1989 National Endowment for the Arts Fellow, Dept. of Planning, Saint Paul, MN 1977 National Endowment for the Arts Fellow, Exploratorium, San Francisco Öffentliche Projekte (Auswahl) 2004 Mein Leben Grit, Berliner Ensemble, German-American Fulbright Commission 2002 Seven Forbidden Names For God As Anthrax Letters, Univ. Illinois, USA 2000 Der Wider Haken Kraeuter Garten, Stadtkunstprojekt commissioned memory garden for Freiheit 8 Synagogue site, Berlin-Koepenick Germany 1992 Hope Diamond, temporary earthwork, University of Southern California Consumers Lobby, main entry, U.S. Food Biographie●Ausstellungen●Literatur●Arbeiten
Ausstellungen
Aktuelle und vergangene Ausstellungstermine: 17.12.2004 Richard Posner: GWOTBOTS Weitere Termine: Selected Solo Exhibitions 2004 Global War On Terror Robots, Galerie Blickensdorff, Berlin 1995 LA Earthquake Reconstructions, Patricia Correia Gallery, Santa Monica, CA 1988 Poor Richard's Almanac, Minneapolis College of Art and Design, MN 1987 Pro-American Bandstand, Painted Bride Arts Center, Philadelphia, PA Memory in Aftermath of Vietnam Wash.Project for the Arts, Washington, DC 1985 Posner Drawing and Sculpture: 1975-85, Center on Cont.Art, Seattle, WA 1979 Fowl Music, Galleri Mornier, Stockholm, Sweden Selected Group Exhibitions 2004 Art Cologne, Galerie Blickensdorff, Berlin Bottle Rockets, BerlinerKunst Projekt, Berlin 2002 Baseball & Playing Indian (w/Charlene Teters) American Natural History Mus. NYC 1996-2000 It's Only Rock 'N Roll Traveling exhibition organized by Phoenix (AZ) Museum of Art 1995 Old Glory New Story, Capp Street Project, San Francisco 1989-92 A Different War, Frederick White Gallery, UCLA 1988-90 The Eloquent Object, Museum of Fine Arts, Boston Monument and Memorial, New Langton Arts, San Francisco 1987 New Sculpture, University of Hawaii, Honolulu 1982 New Directions, Musee des Arts Decoraifs of the Louvre, Paris, France 1979 Glass Americans, Hessiches Landesmuseum, Darmstadt, West Germany Selected Collections The Victoria and Albert Museum, London, UK The Metropolitan Museum of Art, New York, USA The Smithsonian Institution, Washington, DC Videography 2000 The Gate of Heaven Broken glass garden documentation, Berlin-Köpenick 1995 Hope Diamond, Stained grass turf painting documentation, Los Angeles, CA. gentrification of Culver City Hayden Tract Industrial Park neighborhoodtime-lapse chronicle of creation/dissolution of temporary earthwork made in the aftermath of 1993 Consumer's Lobby, Bar-code crosswalks, mural documentation, Seattle, WA. Biographie●Ausstellungen●Literatur●Arbeiten
Literatur
Ausgewählte Bibliographie Allen, H., Vietnam: The Modern War in Art and Memory, The Washington Post, October 4, 1987 Austin, R., 1992 GSA Design Awards, Washington, D.C., November 1992 Baker, K., American Broken Glass, San Francisco Chronicle, June 21, 1986 Berkson, B., Report From Seattle, Art in America, September 1986 Brown, Patricia Lee, Reading Messages in Bottles, The New York Times, Feb. 6, 1997 Butterfield, J., Quite Clear Cut: The Glass Proseof Richard Posner, Center on Contemporary Art, June 1985 California College of Arts and Crafts, Alumni Review, November/December 1985 Callister, S., Glass Fence Rises in Window, The Oregonian, May 20, 1983 Chartier, C., Contemporary American Monuments, Art-On-File, 1986 Connell, J., A True Mystery, The Bellingham Herald, March 2, 1983 Commissions, American Craft, October-November 1987 Corning Museum, New Glass: A World Survey, 1979 Corning Museum, New Glass Review, No. 5, 1983 Craft Horizon (Cover), February 1978 Cumbow, R., Public Art/Private Vision, Artsline, May 1985 Daly, M.S., War Images and Memory, The Washington Post, September 17, 1987 Douthout, A., Perspectives: The Viking Symbol Mystery, Kohler Arts Center, August-October 1983--, The Dream Chartres of Four Gone Conclusions, Stained Glass, Fall 1982 Dunham, J., Conjunctions of Art and Science, Artweek, May 6, 1978 Eby, Douglas, Richard Posner as Professional Jaywalker, HIGH PERFORMANCE, Fall, 1996 Edelstein, J., Minneapolis, CONTEMPORANEA, September/October 1988 Gas Journal 2001, Corning Museum of Glass Gamarekian, B., Remembering Vietnam, The New York Times, September 14, 1987 General Services Administration 1992 Design Awards Godden, J., Mental Carwash Outscrubs Garage Art Ideas, Seattle Post-Intelligencer, February 11, 1986 Glowen, R., Architecture Under Glass, Arts + Architecture, May 1985 Glass Encounters: Richard Posner, American Craft, June/July 1984 Glass Magazine, Richard Posner, “Luminous Journalism” Fall 2002 Glueck, G., Art People, The New York Times, February 10, 1978 Fischer, Adelheid, Poor Richard's Almanac ARTS Magazine, Minneapolis Society of Fine Arts Frank, Peter, Pick of the Week, LA WEEKLY, February 23, 1995 Hackett, R., Tunnel Vision, Seattle Post-Intelligencer, October 24, 1986 Hildebrand, G., A Little Extra Care: Thoughtful Design Garage Preserves a 'Sacred' Site, Seattle Times, May 1983 Hibbard, R., Pacifist's Vision is a Tribute to Vets, Seattle Post-Intelligencer, October 2, 1985 Intervention and Alchemy: A Public Art Primer, with Craig Davidson, Visual Arts Program, First Banks of Minneapolis, 1990 Kendall, S., Artists: Surviving in Seattle, Seattle Times, May 8, 1983 Kitschinas, self-published catalog, 1981 Kingsley, April, Warm is Hot, American Craft, October-November, 1997 Kucera, G., Gallery Artists, Greg Kucera Gallery, October 1986 LeSeuer, M., Richard Posner's Exploratorium Project, Glass Arts Society Journal, 1979 Martin, Mary Abbe, Poor Richard's Almanac, Minneapolis Star/Tribune, April 8, 1988 Manhart, M., The Eloquent Object, Philbrook Museum of Art, 1987 Marks, B., A Conversation with William T. Wiley and Richard Posner, COCA Folio, June 1985 Memnon, K., Living Bridge Proposed in Bethesda, The Chevy Chase Gazette, October 4, 1990 Miller, C., Viet Ngo: Infrastructure as Art, Public Art Review, Spring-Summer 1990 Moody, F., The Benefits of Art By Committee, The Weekly, May 1985 Muchnic, S., Stained Glass: From Social Comment to Decoration, Artweek, January 8, 1977 News-Gazette, Richard Posner: Anthrax Artist, March 3, 2002 Northwest Artist's Stained Glass is Accepted by Metropolitan Museum of Art Petra, T., The Aftermath of Vietnam, The Boston Globe, November 1, 1987 Phillips, C., American Glass: Northwest, 1984 Pitzl, J. Public Art Made in Response to Civic Unrest, The Octopus, Feb. 22, 2002 Poesner, Alan, Scherben und Schafgarde, Die Welt, June 23, 2000 Koepenicker Widerhaken, Die Welt, Sept. 1, 2000 Posner, R., Bottle Homes and Gardens:Survey of No Deposit/No Return Architecture, Arcade, Vol.1 No. 10, 1982 "Hope Diamond", High Performance Magazine, Summer 1993 Public Art Annual 1992, Art in America Public Art Annual 1993, Art in America Public Art Trust, Posner's Defence of Light, Public Art Connection, Vol. 1 No. 3, 1984 -- Raging Bull Durham = Public Art Dialogue , Public Art Review, Summer-Fall 1989 Rigan, O., New Stained Glass, San Francisco Book Co., 1976 Seattle Arts, The New Commissioner, Seattle Arts Commission Newsletter, Vol. 8 No. 7, 1985 --, "Hope Diamond", Sculpture Magazine, May/June 1994 Schmidl Karin, Wohnen, wo die Synagoge stand, Berliner Zeitung, August 25, 2000 Swallowed, L., A Madcap Glass Menagerie, The Weekly, Vol. 9 No. 25, June 20, 1984 Solo, B., Stained Glass, Time, Vol. III No. 11, March 13, 1978 Spar,(Cover), Seattle, Washington, No. 6 March 1982 Stained Glass: Hope Diamond, Glasswork Quarterly, Spring 1993 Steinman, L., The Crystal Pallets: Defence of Light, Neues Glas (West Germany), February 1984 Stuhr, J., Calido! Contemporary Warm Glass, Tucson Museum of Art, 1997 Temme, V., Profile: Richard Posner, Stained Glass, Summer 1982 Thorson, A. Exhibit Shows the Many Sides of Vietnam War, Washington Times, September 24, 1987 Through The Glass Canvas, Glass Magazine, New York Exper. Glass Workshop, No. 40, Spring-Summer 1990 Topical Fish, self-published catalog, 1981 Trash Turned Into Treasure, Seattle Post-Intelligencer, July 15, 1981 Turner, P., Richard Posner, Alaska Airlines Magazine, March 1987 Twenty-One Gun Salute, 911, Seattle Arts Magazine, May/June 1985 Vietnam War Art Succeeds Where Politics Failed In D.C., Seattle Post Intelligencer, October 12, 1987 Visionary Projects, Landscape Architecture, December 1993 Ward, Ed, The Garden of Earthly Frights, The Wall Street Journal Europe, September 3-4, 1999 Washington Project for the Arts, War and Memory in the Aftermath of Vietnam, 1987 Wickman, K., Fargade Glasfonster, Svensk Form, Stockholm, February 1979 William, R., Ed., Unwinding the Vietnam War (Cover), Real Comet Press, 1987 Windows, Exploratorium Magazine, Vol.2 No.5, December 1979 Windows of Vulnerability: the Calligraphy of Window Repairs, Clinton Street Quarterly, Vol. 5 No. 3, Spring 1983 Wolschke-Buhlman, Joachim, Site, Sight and Zeit Catalog, Univ. of Hannover, Germany 1998 Yelle, Richard, Glass Art from Urban Glass,Schiffer Art Book, 2000 Zzyzy, Vol III No. 1, San Francisco, CA, Spring 1987 Videographie 2000 The Gate of Heaven Berlin broken glass garden project documentation 1995 Meetings with Remarkable Men, Work-in-progress documentary about gentrification of Culver City Hayden Tract Industrial Park neighborhood. Hope Diamond, in-progress time-lapse chronicle of creation/dissolution of temporary earthwork made in the aftermath of 1992 Los Angeles Uprising 1991 Consumer's Lobby, KIRO/CBS TV, Seattle, July 1991 1989 Goddess of Liberty AnteChamber, Austin City Council debate over an ant farm/shoji screen public artwork proposal for Robert Mueller Airport. 1986 Richard Posner, KCTS TV, Public Television Seattle 1985 Veterans Lobby, KING TV, NBC affiliate, Seattle 1984 Glassblowers, Bilingual musical based on dust jacket synopsis of the Daphne DuMaurier novel of the same name 1983 Crystal Pallets, KPTV TV, ABC Affiliate, Portland Biographie●Ausstellungen●Literatur●Arbeiten

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