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James Welling

Geboren: 1951 in Hartford, Connecticut


- Zeitgenössische Kunst



James Welling

Born, Hartford, Connecticut, 1951

Lives and works in Los Angeles.


Carnegie-Mellon University, Pittsburgh, PA, 1969-71
California Institute of the Arts, Valencia, CA (BFA/MFA), 1971-74

1995 –
present Professor of Fine Art, Department of Art, University of California, Los Angeles

Professor of Fine Art, Massachusetts Institute of Technology

Professor of Fine Art, Bard College



Aktuelle und vergangene Ausstellungstermine:
Galerie nächst St. Stephan - Art Basel Miami 2005
Art 37 Basel
Galerie nächst St. Stephan - Art Cologne 2006
Art Cologne 2008

Weitere Termine:

Solo Exhibitions:

"Agricultural Works", Albany Institute of History an Art, Albany, NY (catalogue)

"New Photographs"; Wako Works of Art, Tokyo

"Agricultural Works", Dorsky Museum, New Paltz, NY

Regen Projects, Los Angeles, CA
Gorney, Bravin and Lee, New York, NY
Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna
Raffaella Cortese, Milano

"James Welling: Abstract," Palais des Beaux-Arts, Brussels; travels to Art Gallery of York University Toronto, Canada, cat.
"James Welling: Abstract," Donald Young Gallery, Chicago, IL

Galerie Daniel Buchholz, Cologne, Germany

Regen Projects, Los Angeles, CA
"James Welling Photographs: 1974 - 1999," Wexner Center For the Visual Arts,
Columbus, Ohio; travels to The Baltimore Museum of Art, Baltimore, Maryland; The Museum of Contemporary Art, Los Angeles, CA
Gorney, Bravin + Lee, New York, NY
Donald Young Gallery, Chicago, IL

Barbara Gross Galerie, Munich
Sprengel Museum Hannover, Hannover, Germany; Wako Works of Art, Tokyo

Forum: James Welling, Carnegie Museum of Art, Pittsburgh, PA
Regen Projects, Los Angeles, California
Galerie Nelson, Paris , France
Kunstmuseum Luzern, Luzern, Switzerland

Haus Editions, Antwerp, Belgium, "Eastern Window,"
Galerie Paul Andriesse, Amsterdam, The Netherlands; "Light Sources"
Galerie Xavier Hufkens, Brussels, Belgium; "Light Sources"
S.L. Simpson Gallery, Toronto, Canada; "Light Sources"
Jay Gorney Modern Art, New York, NY; "Light Sources"

Camden Arts Center, London, England; "Calais Lace Factories"

Jay Gorney Modern Art, New York, NY
Whitney Center, Hamden, CT
Jurgen Becher, Hamburg, Germany
Wako Works of Art, Tokyo, Japan
American Fine Arts, Co., New York, NY
Modulo/Cento Difusor de Arte, Lisbon, Portugal

Regen Projects, Los Angeles, CA
Galerie Paul Andriesse, Amsterdam, The Netherlands
Kunstmuseum Wolfsburg, Wolfsburg, Germany
Galerie Nelson, Paris , France
Galerie Nachst St. Stephan, Vienna, Austria
Arts Club of Chicago, Chicago, IL

Wako Works of Art, Tokyo, Japan
Galerie Xavier Hufkens, Brussels, Belgium
Galeri F15 Alby (with Mikael Levin), Moss, Norway
S.L. Simpson Gallery, Toronto, Canada
Jay Gorney Modern Art, New York, NY
La Galerie de L'Ancienne Poste, le Channel/Scene Nationale, Calais, France
Jack Hanley Gallery (with Rodney Graham), San Francisco, CA

Lawrence Markey Gallery, New York, NY
Galerie Samia Saouma, Paris, France
Donald Young Gallery, Seattle, WA
Musee de Rochechouart, Limoges, France
Johnen+Schottle (with Candida Hofer), Koln, Germany
Kunstnernes Hus, Oslo, Norway

Jay Gorney Modern Art, New York, NY
Galerie Nelson, Lyon, France (with Christopher Williams)
Kunsthalle Bern, Bern, Switzerland (with Vikky Alexander), catalogue
Galerie Samia Saouma, Paris, France
M.C.C., St. Etienne, France, catalogue
Sous-sol, Ecole Superieure díArt Visuel, Geneva, Switzerland, catalogue

Beaver College Art Gallery, Glenside, PA
Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria
Leubsdorf Art Gallery (with Holly Wright), Hunter College, New York, NY, catalogue

Galerie Nelson, Lyon, France
Jay Gorney Modern Art, New York, NY
Johnen & Schottle, Cologne, Germany
Feature, Chigago, Il
Christine Burgin Gallery, New York, NY

Galerie Samia Saouma, Paris, France
Kuhlenschmidt/Simon, Los Angeles, CA
Feature, Chicago, IL

Cash/Newhouse, New York, NY
Coburg Gallery, Vancouver, B.C., Canada (with Rodney Graham)

Cash/Newhouse, New York, NY

"Artificial Miracles," Simon Frazer University, Vancouver, B.C. Canada

Metro Pictures, New York, NY

Metro Pictures, New York, NY

Arco Center for Visual Art, Los Angeles, CA

"MFA Thesis Exhibition," Gallery D301, California Institute of the Arts

Project, INC, Cambridge, MA
Selected Group Exhibitions:

"eblouissement," Jeu de paume, Paris, catalogue
"100 Artists See God," curated by John Baldessari and Meg Cranston, ICI, NY and The Jewish Museum San Francisco, CA, catalogue
"Likeness: Portraits of Artists by Other Artists," Wattis Institute for Contemporary Arts, San Francisco and ICI, NY, catalogue
"In America/William Egglestone, Roe Ethridge, Steven Shore, Joel Sternfeld, James Welling," Sutton Lane, London
"The Last Picture Show - Artists Using Photography,

1960 –1982," UCLA Hammer Museum, Los Angeles, CA

"Inaugural Show," Regen Projects, Los Angeles, January 25 – March 8, 2003
"The Last Picture Show: Artists Using Photogaphy, 1960-1982," Walker Art Center, Minneapolis, MN
"Imprimés," Galerie Rodolphe Janssen, Brussels, Belgium

"Back Grounds, Impressions photographiques," Galerie Nelson, Paris; travels to Andrew Kreps Gallery, New York, NY
"New Acquisitions / New Work / New Directions 3: Contemporary Selections," LACMA, CA
"Remarks on Color," Sean Kelly Gallery, New York, NY
"Painting Matter," James Cohan Gallery, New York, NY
Barbara Gross Galerie, Germany

"Ellipsis," curated by Julie Baranes, Leslie Tonkonow Artworks + Projects, New York, NY
"As Painting: Division and Displacement," Wexner Center for the Arts, Columbus, OH

"L.A.," Monika Spruth & Philomene Magers, Koln, Germany
"light-heeled, light-handed: Edward Ruscha, Julius Shulman,
James Welling," curated by Lynne Cooke, Kolnischer Kunstverein, Cologne, Germany
"Sharon Lockhart / James Welling," Blum & Poe, Santa Monica, CA

"Los Angeles," Sabine Knust Maxmilian Verlag & Philomene Magers Projekte, Munich, Germany
"Plain Air," Barbara Gladstone Gallery, New York, NY
"Gesammelte Werke 1: Zeitgenossische Kunst seit 1968," Kunstmuseum Wolfsburg, Wolfsburg, Germany
"Pencils of Nature: A Dialogue," Leslie Tokonow Artworks + Projects, New York, NY
"Multiplicity," Angles Gallery, Santa Monica, CA

"Sea Change," Center for Creative Photography, Tuscon, Arizona, cat.
"Exterminating Angel," Ghislaine Husenot, Paris, France

"Track Records," Oakville Galleries, Oakville, Ontario; Canadian Museum of Contemporary Photography, Ottawa, Ontario; Presentation House Gallery, North Vancouver, B.C.; The Illingworth Kerr Gallery, Alberta College of Art, Calgary, Alb.; Centre cultural, Universite de Sherbrooke, P.Q.; Centre d'exposition de Durmmondville, Durmmondville, P.Q.
"Kunst...Arbeit," Sudwestdeutsche Landesbank, Stuttgart, Germany
"Contemporary Collections '97," Los Angeles Center for Photographic Studies, Los Angeles, CA
"Staging Surrealism: A Succession of Collections 2," Wexner Center for the Arts, Columbus, OH
"About Painting: Eggleston, Gerber, Gursky, Kalpakjian, Polidori, Welling," Robert Miller Gallery, New York, NY
"Density or the unimaginable museum/discontinuity/synchrony/presence," Domaine de Kerguehennec, Centre d'Art Contemporain, Bignan, France, curated by Denys Zacharopoulos
"Ausstellung 10 Jahre Stiftung Kunsthalle Bern," Kunsthalle Bern, Bern, Switzerland
"Someone else with my fingerprints," David Zwirner Gallery, New York, NY, curated by Wilhelm Schurmann

"100 Photographs,"American Fine Arts, Co., New York, NY
"Evident: New Landscape Photography", curated by Andrew Cross, The Photographers' Gallery, London, England, November 8-January 11
"Just Past. The Contemporary in MoCA's Permanent Collection, 1975-96," Museum of Contemporary Art, Los Angeles, CA
"Blind Spot Photography: The First Four Years," Paolo Baldacci Gallery, New York (and benefit auction at Christie's)
"Lynda Denglis, John Chamberlain, Rudolf Seingel, James Welling," Margo Leavin Gallery, Los Angeles, CA
"Deep Surface," Pace Wildenstein McGill, Los Angeles, CA
"Ab Fab," Feature, Inc., New York, NY
"Swag & Puddle," The Work Space, New York, NY, curated by Mary Jones & Janice Krasnow
"Prospect '96: Photographie in der Gegenwartskunst," Frankfurter Kunstverein im Steinernen Haus and Schirn Kunsthalle Frankfurt, Frankfurt, Germany, curated by Peter Weiermair, catalogue

"Drawings and Photographs," Calerie Paul Andrisse, Amsterdam, The Netherlands "Uta Barth, Candida Hofer, Andreas Gursky, James Welling," Rena Bransten Gallery, San Francisco, CA
"New Acquisitions: An Exhibition of Artists' Books and Multiples," Art Metropole, Toronto, Canada
Summer Group Exhibition," American Fine Arts, Col, New York, NY
"The Reflected Image," Museo Pecci, Prato, Italy, curated by Antonella Soldaini & Paolo Colombo
"After Art: Rethinking 150 Years of Photography," Henry Art Museum, Seattle, WA, catalogue
"Degrees of Abstraction: From Morris Louis to Mapplethorpe," Museum of Fine Arts, Boston, MA
"Romantico Contemporaneo", Castello of Boulsragito, Bologna, Italy
"Fact and Fiction: Photographs from the Permanent Collection", Whitney Museum at Champton, Stanford, CT
"Abstract Photography", Baltimore Museum of Art, MD
"Blind Spot", McKinney Arts Center, Dallas, TX
"Strung into the Apollonian Dream", Feature Gallery, New York, NY

"Geometries", Galerie du TNB, Rennes, France
"Transport," Maier Museum of Art, Randolph-Macon Woman's College,
Lynchburg, VA
"Pictures of the Real World (In Real Time)," Paula Cooper Gallery, New York, NY; L'Usine, Dijon, France; and travelling. Co-organized by Robert Nickas and On Kawara
"L'Amour Toujours," Le Carre/Musee Bonnat, Bayonne, France
"G7," Theoretical Event, Naples, Italy
"Werkstattquartier," Institut fur Gegenwrtskunst, Vienna, Austria
"David Deutsch, Douglas Blau, James Welling," Jay Gorney Modern Art, New York, NY "The Abstract Urge," Ansel Adams Center for Photography, San Francisco, CA
"Experimental Vision," The Denver Art Museum, Denver, CO

"Nettwerk," Kunstnernes Hus, Oslo, Norway
"The Sublime Void," Royal Museum of Fine Arts, Antwerp, Belgium

"Documenta IX," Kassel, Germany
"Skulpturen-Fragmente," Wiener Secession, Vienna, Austria

"Les Grandes Lignes," Gare de l'Est, Paris, France
"Vom Verschwinden der Dingle aus der Fotographie," Palais Liechtenstein, Vienna Austria

"Perspectives on Place,î University Art Gallery/San Diego State University
"Le Diaphane," ERSEP- Ecole d’Art, Tourcoing, France
"Vikky Alexander/James Welling," Kunsthalle Bern, Bern, Switzerland
"The Indomitable Spirit," I.C.P., Midtown, New York, NY

"une autre affaire," Maison fyot, Dijon, France
"A Forest of Signs," Museum of Contemporary Art, Los Angeles, CA

"Photography and Abstraction," Hunter College Art Gallery, New York
"Bi National: American art of the late 80ís," Museum of Fine Arts, Boston, MA
(travelled to Dusseldorf)
"Schlaf Post Utopia," I.C.A., Boston, MA

"Implosion," Moderna Museet, Stockholm, Sweden
"Skeptical Belief(s)," The Renaissance Society, Chicago, IL
"Photography and Art: 1946-1986," Los Angeles County Museum of Art,
Los Angeles, CA
"New Locations," Wolff Gallery, New York, NY

"Rodney Graham/James Welling," Coburg Gallery, Vancouver, BC

"Louise Lawler, Laurie Simmons, James Welling," Metro Pictures, New York, NY

"Ailleurs et Autrement," ARC, Paris, France
"Still Life in Photography," Rotterdamse Kunststichting, Rotterdam,
The Netherlands
"Allan McCollum / James Welling," Cash/Newhouse, York, NY

"In Platoís Cave," Marlborough Gallery, New York, NY
"Artificial Miracles," Simon Frazer University, Vancouver, BC

"Trouble in Paradise," A+M Artworks, New York, NY
"Natural History," Borgenicht Gallery, New York, NY
"Exhibition", California Inst. of the Arts, Valencia, CA

"Opening Group Exhibition," Metro Pictures, New York, NY
"Pictures in New York Today," PAC, Milan, Italy

"Imitation of Life," HartfordArt School, Hartford, CT

"The New West," The Kitchen, New York, NY

"Evening of Works," LAICA, Los Angeles, CA
"Southland Video Anthology," Long Beach Museum of Art, Long Beach, CA
New Abstractions, Hannover: Sprengel Museum, 1999
Light Sources, Gent: Imschoot, 1996
Wolfsburg, Stuttgart: Cantz, 1994
Usines de Dentelle, Calais: Le Channel, 1993
Les Voies Ferrées, St-Etienne: St-Etienne et la Plaine du Forez, MCC, 1990
19 Photographs 1980, Sous-Sol, Geneva: Ecole Supérieure d’art visuel, 1990
12 Gelatin Photographs, Buffalo, NY: CEPA, 1984


Mahoney, Robert. "Justine Kurland, Catherine Opie, Martha Rosler and James Welling
at Gorney Bravin + Lee", Time Out New York, 27 June - 4 July 2002; p. 56
Tumlir, Jan. "Previews: James Welling, Palais des Beaux-Arts, Bruxelles", Artforum, Jan.; p. 72

Loreto Mondloch, Katie. "Review: James Weling at MoCA, LA", Tema Celeste, Sept.-Oct.; p. 85
unsigned. "James Welling: Photographs 1974
1999", UCLA Spotlight, 25 September.
Intra, Giovanni. "Reviews: James Welling at MoCA", artext, August - October 2001; p. 77
Myers, Holly. "Light", LA Weekly, 20-26 July; p. 47
Knight, Christopher "The Melancholy Process, History of Photography",
Los Angeles Times, 8 May.
Tillman, Lynne "Portfolio: James Welling", Artforum, May; pp. 139-143
Jones, Kristin M. "James Welling at Gorney Bravin + Lee", Frieze, May; pp. 99-100
Joselit, David. "Surface Histories: The Photography of James Welling", Art in America,
pp. 136-143 Lin-Eftekhar, Judy. "Photographer captures surreal landscapes, luminous
scene", UCLA Today, 10 April.
Zellen, Jody. "Mining the Photographic Process", dArt International (Canada),
Winter, p.40

Giuliano, Mike, "James Welling Finds the Complexity", City Paper (Baltimore),
6 Sept., p. 37
Relyea, Lane, "Review: James Welling at the Wexner Center for the Arts, Columbus, OH", Artforum, September, p. 171
Brooke Schleifer, Kristen, "James Welling: New Abstractions and Work from the Seventies", Art on Paper, July-August 2000, p.58, ill.
Welling, James, "Photography in the '00s", UCLA, Summer, pp.38-43
Yates, Christopher A. Yates, "From bright to brooding", Columbus Dispatch, 21 May
unsigned. "James Welling: Photographs, 1974-1999", Artforum, May
Ollmans, Leah, "Ambiguous Artifacts: James Welling and Sharon Lockart",
Los Angeles Times, Friday, March 3
Sarah J. Rogers (ed. by), James Welling : Photographs 1974 – 1999,
Wexner Center for the Arts, (essay by Michael Fried)
Welling, James, "Los Angeles Photographs, 1976-78", October, Issue 91, Winter, p.81-100

Sonna, Birgit, "Der Janusköpfige: James Welling...," Süddeutsche Zeitung (Munich), 6 Dec.
Hirsch, Faye, "Working Proof: James Welling", Art On Paper, Mar.-Apr., p.56
"Rethinking Genres in Contemporary Photography," Art On Paper, Jan.-Feb., p.3 Salomon, Deborah, "How to Succeed in Art", New York Times Magazine, June 27, 1999,
pp.38-41, ill.
Schmerler, Sarah, "Pencils of Nature: A Dialogue," Time Out / New York, 22-29 July, p.80

Wahler, Marc-Olivier. Art Press, "L'hypothèse du tableau volé", Oct.
Aletti, Vince, "Photo Short List: James Welling," Village Voice, 29 Sept., p.73
Cotter, Holland, "James Welling, Early Photographs: 1976-1985," The New York Times,
16 Oct., p.E-37
Hamilton-Paterson, James, "The Cultural Impact of Oceans", Sea Change: The Seascape in Contemporary Photography, Center for Creative Photography (Tuscon), P.9
Loock, Ulrich, "Photography and Non-Portrayability -James Welling," James Welling,
Luzern: Kunstmuseum Luzern, p.43-51 Miller, Donald, "Intense photographic images recall Pittsburgh’s gritty past", Pittsburgh Post-Gazette, 28 Nov., p.D-8
Shearing, Graham, "New light on the familiar: James Welling…",
Pittsburgh Tribune Review, 19 Nov., p.27
Squires, Carol, "A Slice of Light", Artforum, January
Wilner Stack, Trudy, "The Eye of the Earth", Sea Change: The Seascape in Contemporary
Photography, Center for Creative Photography (Tuscon), P.13
Wolfe, Steve, "Dust Breeding", Dust Breeding: Photographs, Sculpture & Film,
San Francisco: Fraenkel Gallery

Aletti, Vince, "Photo Short List: James Welling," The Village Voice, 18 March, p.11
Fink, Barbel, "James Welling," Camera Austria, issue #59/60, pp.70-80
Mitchell, Charles Dee, "James Welling at Jay Gorney," Art in America, July, p.92
Schmerler, Sarah, "James Welling, Light Sources'", TimeOut/New York, 20-27 March, p.47
Squires, Carol, "James Welling," Grand Street, issue #61, pp.160-168
Welling, James, "Railroad Towns," Grand Street, issue #61, pp.160-168 (photo portfolio in
"All-American" issue)

Berriolo, Elana & Flexner, Roland, "Art in the Folds," New Observations, issue #110, p.45
Cross, Andrew, "Evident", Great: The Magazine of The Photographers' Gallery,
London, Nov./Dec., p.6-7
Cross, Andrew, "New Landscapes: Axel Hütte & James Welling",
Creative Camera (London), Oct/Nov, p.8-17
Frank, Peter, "James Luna, Allan Sekula, Deep Surface," L. A. Weekly, 23-29 August
Pagel, David, "Meditations on Morality and the Depiction of Space",
Los Angeles Times, 22 Aug.
Silver, Joanne, "Photography Distills Nature," Boston Sunday Herald,
7 January, p. 42
Williams, Gilda, "Evident / The Photographers' Gallery", Art Monthly (London), Dec.

Aletti, Vince, "Voice Choices: James Welling", Village Voice, 19 December, p. 10
Auerbach, Lisa Anne, "James Welling: Regen Projects," Artforum, Marc Bonetti, David, "Gallery Watch: Rena Bransten Gallery", San Francisco Examiner,
22 Sept., p. C-7
Grundberg, Andy, "James Welling", The New York Times, September 30
Grundberg, Andy, "Beyond Description: Content in Today's Photography, Independent Curators: New York, broadsheet
Medeiros, Margarida, "James Welling: Módulo", Publico (Lisboa), 14 January
Medeiros, Margarida, "Paisagens e interiores", Publico (Lisboa), 7 January
Schwarzwälder, Rosemarie, Klares Programm: Galerie Arbeit Heute, Lindinger+Schmid, Regensburg, P.77
Servatar, Stuart, "Art", New York Press, 13-19 December, p. 76
Shimizu, Minoru, "The Photographic Invisible: James Welling and the Ontology of Photographic Expression", The Photographis Invisible: James Welling, Tokyo Wako Works of Art
Unknown, L'Immagine Riflessa, Prato: Museo Pecci, unpaginated
Unknown, Whitney Center Pieces, Volume 2, No. 2, Whitney Center: Hamden, Fall

Abrams, Janet, "The Solid Geometry of Sight," James Welling, Chicago:
Arts Club of Chicago
Battarra, Enzo, "La teoria? E' un gioco di eventi", il Giornale di Napoli, 30 June
Grosenick, Uta and Welling, James, James Welling: Wolfsburg, Wolfsburg (Germany): Cantz Grundberg, Andy, "Who are the Most Underrated and Overrated Artists?", Art News, New York, February
Grundberg, Andy, "Photography Beside Itself," After Art: Rethinking 150 Years of
Photography, Seattle and London: University of Washington, pp. 16, 116
Hagen, Charles, "Photograms Today, The Essence of Process," Experimental Vision,
The Evolution of the Photogram since 1919, Niwot: Roberts Rinehart, pp. 80-81
Karmel, Pepe. "Out of the Ghetto", Artnews, April
Smith, Roberta, "Group Shows of Every Kind...", The New York Times, February 25
Thorkildsen, Asmund, Nettverk. Network, The Olympic Collection 94, Oslo:
De norskem Bokklubbene AS, p. 87
Wilson, Helen Miranda, Transport, Lynchburg: Maier Museum of Art, 1994, p. 11

Cassiman, Bart (Ed.,) The Sublime Void: On the Memory of the Imagination, Antwerp: Koninklijk Museum voor Schone Kunsten,
pp. 10-11, 125, 208-209, 260-261
Demarty, Marie-Pierre, "Welling entre dans l'usine", Nord Littoral, Calais, April 16
Kasahara, Michiko, "Refusal and Temptation to Interpret," James Welling, Photographs 1977-1993, Tokyo: Wako Works of Art,
Hagen, Charles, "James Welling", The New York Times, May 14
Hume, Christopher, "Industrial Photography", The Toronto Star, Toronto, June 10
Unknown, Collection Modern Art, Boymans-van Beuningen Museum Rotterdam, Inventory of works acquired between 1985-1993, Rotterdam: Museum Boymans
Van Beuningen, 1993, pp. 81-82
Upshaw, Reagan, "James Welling at Jay Gorney," Art in America, December
Welling, James, Usines de Dentelle, Calais: Le Channel, Scène Nationale de Calais

Ament, Deloris, Tarzan, "Through the lens of history", The Seattle Times,
September 24
Deitcher, David, "Out of the Past," James Welling, Photographs, Oslo: Künstnernes Hus
Hackett, Regina, "Familiar scenes are shot with cold perfection",
Seattle Post-Inteligencer, September 24
Hoet, Jan (Curator), Zacharopoulos, Denys, "TheOrigin of the World. A real allegory of the work of art and (sic) its taking place in the world, today", Documenta IX,
New York: Edition Cantz/Abrams, Vol. 1, pp. 32, 234; Vol. 3, pp. 580-583
Michaels, Walter Benn, "Photography as Art", unpublished paper delivered at Photography and Art, Emily Carr College of Art, Vancouver, April
Smallwood, Lyn, "Shooting the rails", Seattle Weekly, September 30
Thorkildsen, Asmund, "Forward," James Welling, Photographs, Oslo:
Künstnernes Hus
James Welling, Rochechouart : Musée Départemental d’Art Contemporain de

Aletti, Vince. "James Welling", The Village Voice, New York, May 7
Bellamy, Peter. The Artist Project: Portraits of the Real Art World/New York Artists
1981-1990, New York: IN Publishing, p. 238
Messler, Norbert. "James Welling: Wunder der sichtbaren Welt", Noema Magazine,
Köln, May
Neuberger, Susanne, "References," Faber, Monika, "The Disappearance of the Object," Vom Verschwinden Der Dinge Aus Der Fotografie, The Disappearance of Things, Vienna: Österreichisches Fotoarchiv Im Museum Moderner Kunst
Schjeldahl, Peter, "At the Salon of April", The Village Voice, New York, May 14
Unknown, "Grandes Lignes, quand l'art entre en gare", Beaux-Arts: Paris, pp. 46-47

Looch, Ulrich, "Introduction," Michaels, Walter, "The Photographic Surface,"
Queloz, Catherine, "Images of Photography," James Welling:
Photographs 1977-1990, Bern: Kunsthalle Bern
Bianchi, Pado, "James Welling: Photography 1977-1990 at the Kunsthalle Bern",
Kunstforum, Nov-Dec.
Cueff, Alain, "Et Welling Aussi", Beaux-Arts, #75, January, pp. 68-75
Loock, Ulrich, "Meanings at Our Disposal," Parachute, October/December
Michaels, Walter Benn and Queloz, Catherine, James Welling, Bern (Switzerland):
Kunsthalle Bern Raczka, Robert, "James Welling at Beaver College", New Art Examiner, February
Solomon-Godeau, Abigail, "Playing in the Fields of the Image,"
Photography at the Dock, Minnesota University Press
Trippi, Laura, (Interview with James Welling), Strange Attractors: Signs of
Chaos, New York : New Museum, unpaginated
Troncy, Eric, "James Welling", Flash Art, Milan, October
Van den Boogerd, Dominic, "James Welling: Feiten en Ficties van de Fotographie",
Metropolis M, No. 5, October

Decter, Joshua, "James Welling at Jay Gorney Modern Art", Flash Art, January/February
Faber, Monika, "Gallery Talk, 28 April 1989", Galerie Nächst St. Stephan/
Rosemarie Schwarzwälder, Vienna, unpublished
Goldstein, Ann, "Baim to Williams," A Forest of Signs, Museum of Contemporary Art, Los Angeles, CA, Cambridge: The MIT Press Haus, Mary, "150 Years of Photography", Artnews, #4, Vol. 88, April, pp. 162-163
Joselit, David, James Welling, Galerie Nächst St. Stephan/Rosemarie Schwarzwalder: Vienna, Austria
Krauss, Rosalind, Photography and Abstraction, published by
Hunter College Art Gallery, New York, NY, pp. 72-75
Nesweda, Peter, "The Yearning of a Society Without History," Der Standard,
May 10
Ostrow, Sol, Diagrams & Surrogates, Shea and Beker Gallery, New York, NY
Princenthal, Nancy, review, The Print Collector's Newsletter,
vol XX, No. I, March - April Prodhon, Francoise-Claire, review "James Welling at Samia Saouma, Paris,"
Flash Art
Scheuer, Daniel, "150th at f2 Snapshots of Contemporary Art Photography," Center
Quarterly: A Journal of Photography and Related Arts, vol. II, Number 1
unknown, Abstraction in Contemporary Photography, published for Emerson Gallery,
Hamilton College, Clinton, NY, and Anderson Gallery, Virginia Commonwealth
University, Richmond, VA
unknown, "James Welling at Beaver College," The Philadelphia Enquirer,
October 26

Bankowsky, Jack, review, Flash Art, Spring
Collins, Tricia and Milazzo, Richard, "Art at the End of the Social,"
Art at the End of the Social, Rooseum: Malmo, pp. 79-88
Fairbrother, Trevor, interview, Bi National: American Art of the Late 80's, Museum of Fine Arts, Boston, MA
Grundberg, Andy, review, The New York Times, March 25
Grundberg, Andy, "Camera Culture in a Postmodern Age" Photography and Art / Interactions Since 1946, New York: Abbeville Press, P. 225
Hoy, Anne H., Fabrications-Staged, Altered, and Appropriated Photographs,
New York: Abbeville Press
Johnson, Ken, review of show at Christine Burgin, Art in America, July, pp. 135-136
Joselit, David, "Saying the Unsayable," Solomon-Godeau, Abigail,
"Beyond the Simulation Principle," Welling, James, "Catalogue Proposal, 1987, Utopia Post Utopia: Configurations of Nature and Culture in Recent Sculpture
and Photography, MIT Press: Cambridge, pp. 2, 13, 37, 55, 71,73, 85, 103, 105
Krauss, Rosalind, "A Debate on Abstraction," Photography and Abstraction, May
Linsley, Robert, "In Pursuit of the Vanishing Subject: James Welling and
Rodney Graham", C Magazine,Winter
Morgan, Robert, review, Arts Magazine, Dec.
Ramsey, Ellen, "Rodney Graham, James Welling", Vanguard, February
Unknown, Implosion: A Postmodern Perspective, Stockholm: Moderna Museet, pp. 152-155

Grundberg, Andy, "Camera Culture in a Postmodern Age,"
Photography and Art: 1946-86, published by the Los Angeles County
Museum of Art, Los Angeles, CA, Abbeville Press: New York, p. 225
Ottman, Klaus, "The Spectacle of Chaos", Flash Art Relaya, Lane, review of show at Kuhlenschmidt/Simon Gallery, L.A. Weekly, May.
unknown, "Untitled (Man, School, Shoe)," Skeptical Belief (s), Chicago:
The Renaissance Society

Collins, Tricia and Milazzo, Richard, "James Welling: Party Favors",
Kunstforum International, March/April/ May
Decter, Joshua, review, Arts, February
Foster, Hal, "Signs Taken for Wonders", Art In America, May
Welling, James, "Gelatin Photographs", File Magazine, #26: X-mas, unpaginated
Welling, James, "Galgiani's Image", to accompany "Simple Conjunctions",
an installation by Phillip Galgiani, San Francisco Museum of Art

Gintz, Claude, Ailleurs et Autrement, Paris: ARC
Grundberg, Andy, "The Fall from Grace of a Spiritual Guru", The New York Times, September 2, p. 19
Grundberg, Andy, review, The New York Times, March 2.
Johnson, Ken, review of show at Christine Burgin, Art in America, July
Collins, Tricia & Milazzo, Richard, Hybrid Neutral, catalogue for traveling exhibition
Salle, David & Welling, James, "Images that Understand Us: A Conversation
with David Salle and James Welling", LAICA Journal, #40, Fall
Wallis, Brian (Ed.,) Art after Modernism, Rethinking Representation, Boston: David R. Godin, pp. 78, 80, 168
Welling, James, "Abstract", Effects-Magazine for New Art Theory, #2

Solomon-Godeau, Abigail, In Plato's Cave, New York: Marlborough Gallery, Oct-Nov.

Cook, Scott, Natural History, New York: Grace Borgenicht Gallery, unpaginated
Grundberg, Andy, "In Today's Photography Imitation Isn't Always Flattery",
The New York Times, Nov.
Owens, Craig, "Back to the Studio", Art In America, January
Solomon-Godeau, Abigail, "Playing the Fields of the Image", After Image, Summer
Solomon-Godeau, Abigail, "In Plato's Cave," In Plato's Cave, New York:
Marlborough Gallery

Lifson, Ben, "Collage à Trois", The Village Voice, April 8-14, p. 92

Welling, James, Performance Anthology, critical writings, ed. Carl Loeffler, San Francisco: Contemporary Arts Press
Thornton, Gene, "Narrative Works---And Arbus", The New York Times, September


Associate Professor, Area Head of Photography, Department of Art, University of California, Los Angeles

Visiting Lecturer, Visual Art Program, Department of Architecture, MIT, Cambridge, MA, Spring Semester


University of Connecticut, Storrs, CT University of Illinois at Chicago, Chicago, IL

Otis Art Institute, Los Angeles, CA

Carnegie Museum of Art, Forum Lecture Series, Pittsburgh, PA
Yale University, Lecture Photography Department, New Haven, CT
"Dead Man", Lecture, University of California, Irvine, Department of Art History, Irvine, CA
"Sea Change" Panel Discussion Center for Creative Photography, Tuczon, AZ
Visiting Artist: Otis Art Institute, Los Angeles, CA
Young Collectors Lecture, Xavier Hufkens Gallery, Brussels, Belgium
Panelist: "The Meaning of Multiplicity", MAK Center for the Art and Architecture, Los Angeles, May 21, 1997

Visiting Artist: Rijsakademie, Amsterdam, the Netherlands
Art Center College of Art and Design, Pasadena, CA
UC Riverside, Riverside, CA
Panelist: "Symposium on Photography", Camera Austria, Graz, Austria; organized by Allen Sekula

Visiting Artist: Institute für Gegenwartskunst, Akademie für Bildenden Kunst, Vienna,Austria (one week seminar)
Braunsweig Kunstakademie, Braunsweig, Germany
School of Visual Art, New York, NY

Visiting Artist: Alberta College of Art, Calgary, Alberta, Canada (one week)
Ecole d’Art, Dunkerque, France
Ecole d’Art, Valenciennes, France

Panelist: "Photography and Art", 2 Day Conference organized by Bill Jones with Geoffrey James, Joseph Bartscherer, Helga Pakisar,
Walter Benn Michaels

Visiting Artist: Ecole Supérieure d’Art Visuel, Geneva, Switzerland (one week seminar)

Curator: "Nancy Barton, Don Corman, Jeanne Dunning, Rodney Graham, Christopher Williams", CEPA, Buffalo, NY, February

Panelist: "Minimalism", Discussion organized by Maurice Berger and Brian Wallace, with Richard Artschwager, Yvonne Rainer, Haim Steinbach, at the School of Visual Art, New York, NY, June

Public Lecture: "Young Picturemakers Series", organized by Marvin Heifferman, ICP, New York, NY
Artist-in-Residence: Light Work, Syracuse University, Syracuse, NY

Visiting Artist: CEPA, Buffalo, NY

Visiting Artist: Art Center, Los Angeles, CA
UCLA, Los Angeles, CA
California Institute of the Arts, Santa Clarita, CA
University of Victoria, Victoria, B.C., Canada
Emily Carr College of Art, Vancouver, B.C., Canada
Simon Frazier University, Vancouver, B.C., Canada

Reviewer, ArtWeek, Los Angeles, CA

Teaching Assistant to John Baldessari, California Institute of the Arts, Santa Clarita, CA


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